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WEIRDMONGER
Sunday, 15 August 2010
Ringing The Chains

Ringing The Chains

posted Thursday, 10 March 2005

Not everybody would I earmark for becoming a ghost one day. Yet when John finally “fell under a bus” one fine Spring morning, I was certainly reminded of why he had always struck me as a strong candidate for any earthbound afterlife going spare. The customary pallor of his almost see-through face had often been noticeable - as if he had just seen a winding sheet. Also, his clothes appeared to hang upon a bodiless shape - which was not surprising in view of what little I saw of him on a topless beach when we shared now a legendary holiday. But, above all, the way he moaned and groaned - and dragged chains by the ankles across the bedroom carpet - was relatively conclusive. I often found it difficult to believe he was not a ghost already. Of course, it was even more difficult to believe he was a ghost. The various rings his ears and nose sported were proof enough, surely, that he had flesh to pierce. And if not, his suffocating embrace was the real clincher. I loved him dearly, you see, but, throughout his carnal existence, it did feel rather like loving a would-be extraterrestrial. At least, after his death, I had an incontrovertible ghost to love - and rings on a revenant were indeed rather fetching.

(published 'Wearwolf' 1993)

 




1. Paul Dracon left...
Friday, 5 August 2005 3:39 pm

This one made me chuckle. What a compliment: to refer to someone as a fine candidate for ghosthood!



Posted by augusthog at 6:37 AM EDT
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The Maypole

The Maypole

posted Tuesday, 1 March 2005
Even during that endless, easily forgotten, European war, there were mayfairs. A Pole to be neatly ribboned by flower-girls, a merry-go-round, a clown on teetering stilts, a tiny tots fancy-dress parade and a series of odd side-shows - with the Fat lady’s flanks laid bare inside the freak tent. In fact, all the tents were pretty freakish, as if those who’d erected them were drunk out of their beer-bellies or, perhaps, simply crooked loafers with tilted tummies.

The Outsiders visiting the fair were having a wonderful time. Paying their tuppences. Lobbing their balls. Laughing their heads off. And so forth. But the Pole was like Pisa’s Tower at the drag end of a diet; the girls found it hard to ravel and unravel the coloured ribbons, jigging around to the clacking of Morris Dancers and the jingle-toes of the Jester (who doubled as the clown on stilts). One particular girl, the joker in the pack, was young for her age, if you went by appearances rather than actions. A fair child, if a loose cannon. The Jester’s daughter in real life.

“But what is this if it isn’t real life?” thought Maisie as she twirled round the Pole twisting the long yellow ribbon in her usual skewball fashion. The other children laughed at the tangle she’d got them all in, skewing further the Pole’s leanage - which, in turn, made the whole event rather out of kilter, by association, if not comparison. A sandwich short of a picnic. Too few tent-pegs and too many loose guy-ropes ......

Maisie giggled at the Pole’s predicament, laying the blame, as was her wont, upon the object involved, rather than upon anything in external control such as herself.

After the fair was shut, the Outsiders were consigned to where they belonged - which was nowhere at all, Maisie thought, judging by their name which meant they were always outside of something they wanted to be inside of. The Fat Lady would later waddle from her bulging tent and smack Maisie for muddling the Pole. A case of mistaken identity, Maisie would plead, without much hope. But, until then, she’d make hay while the sun had its chimney-hat off, because future punishment, however hard, was never hard during the present moment.

Maisie watched her father frolic off. He’d lost his red nose in the fair’s last stop-over far-away across the other side of the hills, further away than even the future was, because the fair folk were never going back there. Too tinny recriminations. Indeed, Maisie remembered taunting an Outsider there, by asking him for a bit of interference. And the smack she received from the Fat Lady that night was a smack to end all smacks. A smack that made each past smack out of true: unworthy of the word smack. The smarting on her backside was more a lesson in East European geography than a red stain.

The Pole, with the multi-coloured ravellings abruptly turned baggy, had, indeed, finally flopped right over, while the Morris Dancers clacked each other to death, using bones instead of batons. And the girls jeered before they scuttled off to harrass the merry-go-rounders.

Maisie tried to avoid the Fat Lady for the rest of the day, simply by looking at her, since Maisie knew whatever she tried to do frequently failed. But she knew also that Fate in theshape of Fatness would inevitably catch up with her - but that didn’t spoil things at the precise moment when things were not being spoiled. Stood to reason.

She smiled. The refugees from Outside might be able to stay straighter for longer while they were being bandaged, she suddenly realised, if the girls were allowed to wear shorter skirts. And she kicked up her legs with sweetly innocent delight.

 

(published 'Ocular' 1994)

 




1. Paul Dracon left...
Friday, 5 August 2005 3:04 pm

I'd have to be feeling pretty frisky to taunt an Outsider.

This story is very celebratory, although it nonetheless reminds the reader of all the dank, rotten bits lurking around the edges of everyday life.



Posted by augusthog at 6:35 AM EDT
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The Maypole

The Maypole

posted Tuesday, 1 March 2005
Even during that endless, easily forgotten, European war, there were mayfairs. A Pole to be neatly ribboned by flower-girls, a merry-go-round, a clown on teetering stilts, a tiny tots fancy-dress parade and a series of odd side-shows - with the Fat lady’s flanks laid bare inside the freak tent. In fact, all the tents were pretty freakish, as if those who’d erected them were drunk out of their beer-bellies or, perhaps, simply crooked loafers with tilted tummies.

The Outsiders visiting the fair were having a wonderful time. Paying their tuppences. Lobbing their balls. Laughing their heads off. And so forth. But the Pole was like Pisa’s Tower at the drag end of a diet; the girls found it hard to ravel and unravel the coloured ribbons, jigging around to the clacking of Morris Dancers and the jingle-toes of the Jester (who doubled as the clown on stilts). One particular girl, the joker in the pack, was young for her age, if you went by appearances rather than actions. A fair child, if a loose cannon. The Jester’s daughter in real life.

“But what is this if it isn’t real life?” thought Maisie as she twirled round the Pole twisting the long yellow ribbon in her usual skewball fashion. The other children laughed at the tangle she’d got them all in, skewing further the Pole’s leanage - which, in turn, made the whole event rather out of kilter, by association, if not comparison. A sandwich short of a picnic. Too few tent-pegs and too many loose guy-ropes ......

Maisie giggled at the Pole’s predicament, laying the blame, as was her wont, upon the object involved, rather than upon anything in external control such as herself.

After the fair was shut, the Outsiders were consigned to where they belonged - which was nowhere at all, Maisie thought, judging by their name which meant they were always outside of something they wanted to be inside of. The Fat Lady would later waddle from her bulging tent and smack Maisie for muddling the Pole. A case of mistaken identity, Maisie would plead, without much hope. But, until then, she’d make hay while the sun had its chimney-hat off, because future punishment, however hard, was never hard during the present moment.

Maisie watched her father frolic off. He’d lost his red nose in the fair’s last stop-over far-away across the other side of the hills, further away than even the future was, because the fair folk were never going back there. Too tinny recriminations. Indeed, Maisie remembered taunting an Outsider there, by asking him for a bit of interference. And the smack she received from the Fat Lady that night was a smack to end all smacks. A smack that made each past smack out of true: unworthy of the word smack. The smarting on her backside was more a lesson in East European geography than a red stain.

The Pole, with the multi-coloured ravellings abruptly turned baggy, had, indeed, finally flopped right over, while the Morris Dancers clacked each other to death, using bones instead of batons. And the girls jeered before they scuttled off to harrass the merry-go-rounders.

Maisie tried to avoid the Fat Lady for the rest of the day, simply by looking at her, since Maisie knew whatever she tried to do frequently failed. But she knew also that Fate in theshape of Fatness would inevitably catch up with her - but that didn’t spoil things at the precise moment when things were not being spoiled. Stood to reason.

She smiled. The refugees from Outside might be able to stay straighter for longer while they were being bandaged, she suddenly realised, if the girls were allowed to wear shorter skirts. And she kicked up her legs with sweetly innocent delight.

 

(published 'Ocular' 1994)

 




1. Paul Dracon left...
Friday, 5 August 2005 3:04 pm

I'd have to be feeling pretty frisky to taunt an Outsider.

This story is very celebratory, although it nonetheless reminds the reader of all the dank, rotten bits lurking around the edges of everyday life.



Posted by augusthog at 6:33 AM EDT
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Monday, 9 August 2010
Padgett Weggs XIV

Padgett Weggs XIV

posted Wednesday, 30 June 2004
“All heads below the knees!”

The City streets, to Padgett Weggs, were paved with golden scales… making it slippery underfoot. It was tantamount to walking upon a Great Old One’s hide which had just been shed as soon as its owner had been born, still fresh with Mother. Since the invasion of these immeasurable creatures (that had somehow found the key to the landlocked space-time-mind monopoly and arrived within the sanctuary of Earth, eager for equalising Good and Evil), those in the City (of every livery and trade, such as barber-surgeons, costermongers, ex-Lord mayors, etc.) had craned their necks to peer into the turbulence of the roiling skies, to ensure they dodged the inevitable random off-loading of such a vasty fleet of Aliens...

“All heads below the knees? NOW LET ‘EM Go!”

Padgett Weggs was rudely disturbed from his reverie. He knew what he had been doing: dreaming again, slightly heady as he was with draining straight glasses in the Jackass Penguin hostelry. He’d staggered into the street, cursing the day his mother gave him birth. The talk he’d undergone with Diamante Fillul, elderly prostitute of this parish, had been full of ambiguities. Was she propositioning him? Or vice versa? To avoid further misunderstanding, he quaffed a tall pint (that had been left standing by another customer who’d momentarily turned his back whilst begging for a penny from the charity jar on the bar)… and left the pub. Leaving untold gossip in his wake.

“LET EM GO! Attack! Attack! Attack! Tear ‘em limb from limb!”

He could not judge the direction wherefrom the raised voice was coming. He shrugged: probably another dosser trying to fit his (or her) own brain back into its rightful skull. The fact that he could not tell the sex of the voice told him something.

The sky had cleared since the night had first fallen. However, a fitful mist was rising from the cold pavement, as if the sewer-workers below the business City had lit bonfires. He could just make out the perfect shape of St Paul’s great Dome, politely lifting above a nearby office block. That building should not be there, he mused; but, when all the counterfeit money was reckoned at the end of the game, he himself did not appreciate which building he meant. All he knew was the voice could not possibly be a coster’s street call, for they had long ceased business (except, perhaps, those selling plague pills on prescription).

If his dreams were true, it would soon be the opportune moment for a Great Old One to be settling upon the Dome for the night. Apparently, there was much rivalry (friendly or otherwise) for this prime roost. The small hours dragged for such creatures, so the rounded shoulder of a religious building would be warmth and comfort indeed. The creature’s skeletal limb-joints that seemed to splay in all directions, with very little flesh to speak of clinging, once the birth-hide had been jettisoned, were literally made for such geometry of architecture. Furthermore, its skullhead (so much like a human’s but equally so different) actually slotted neatly, via the complexes of the labyrinthine ear, upon the Dome’s crowning tower... thus to prevent the toppling down, the toppling down when its brain had wriggled off for more suitable lodgings within the Cathedral itself.

“Command the beast as if you mean it!”

The same voice was louder. Padgett Weggs resented the way it kept interfering with his own private thoughts. Who the Hell was it, anyway?

A schoolboy was heading towards him.

“What’s yer name, mistah?”

“Why do you need to know, young lad?”

“Cos I do. Cos I don’t.”

“Why should I give you my name? It’s mine, isn’t it?”

“Cos Teacher says we’re to do a bit of writing about down-and-outs like you. It’d read bettah wi’ yer name innit.”

The boy was scruffy, a dangly striped tail of inch-wide cloth ill-tied at his neck with a cub’s woggle. His short trousers were long enough to hide the scabs on his knees. The wrinkly socks no doubt stank to high heaven. The greasy mop that had once been hair was now more like a cap.

“What’s your name? Fair exchange, eh?”

“Idle White.”

“Mine’s Padgett Weggs. Or so my mother told me... when I had a mother.”

Tears filled the dosser’s eyes. They came more often these days. Even the urchin looked sad.

Suddenly perking up, Padgett asked, “Have you any Special Brew about your person, Idle White? Us down-and-outs live off the stuff.”

The other quickly scribbled in his notebook.

“Do you know how to spell ‘Special’?” queried Padgett. “It’s got more letters than you’d credit.”

“Course I know how to spell, mistah. It aint an orphans’ school, you know, that I go to.”

“You don’t say!”

“I do say! My teacher’s a right swankpot about the best pupil in his form. He say it be me. Though, other teachers are bad hats, and do say that he talk from the back of his head. Though it looks OK to me, his head...”

“Idle White? Can I now ask you something more? Fair exchange?”

“I s’pose.”

“Well, do you hear that loud voice that keeps a-calling out? What the Hell is it?”

“It be a dog-handler trainer.”

“How do you know?”

“Back there in Patter-Noster, there be a whole load of people with brutes on leads. They’re being learned to make ‘em do things they don’ wanna do - like jump over fings and attack critters they don’ like or who don’ like ‘em or just ornery people...”

Padgett Weggs ruminated. “You’ve got a good eye on you, Mister Idle White. You sure see things well. My own eyes are growing greyer by the day. Will you be my eyes for me? Lead me around, so I can find the door of the Jackass Penguin. I’ll pay you in tales...”

“No fear, mistah, I’ve got me own life to lead. I’ll be no bleeding guide dog for the likes of you, tales or no tales.”

And, with that, Idle White skidaddled, with not even a backward glance.

Padgett Weggs looked back towards the mighty Dome of the Cathedral but it was quickly being hidden by the further encroachments of the unseasonable fog. For the second time that eventful night, tears filled his eyes. Nothing special about tonight, though...

“Now they’re done, tickle their necks, give ‘em big hugs!”

The voice grew fainter as Padgett Weggs made his way towards the Underground... taking care all the time to keep his feet...

“All heads below the knees!”

But now he could not hear it, mercifully, let alone understand it, as the cycle began again. He did not even need to question whether it were the owners or their pets that had to make such contortions.


Published 'Panurge' 1989

 




1. Paul Dracon left...
Tuesday, 2 August 2005 4:54 pm

"Lead me around, so I can find the door of the Jackass Penguin. I’ll pay you in tales...”

Wouldn't it be interesting if tales and not little pieces of certified paper were the common currency?



Posted by augusthog at 1:17 PM EDT
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Sunday, 31 January 2010
CERN Zoo
'The Virtual Revolution' on BBC2 TV last night says World Wide Web (WWW) was invented in CERN. Seems therefore a good name for the Internet: CERN Zoo?

http://weirdmonger.blog-city.com/the_cern_zoo_page.htm

Posted by augusthog at 1:46 PM EST
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Sunday, 11 October 2009
My new stories in 2009

Over a thousand new and previously published stories by DFL:

http://weirdmonger.mindsay.com/reinvented_wheel.mws

NEW STORIES IN 2009:

 

All Endings Are Happy: http://weirdmonger.blog-city.com/all_endings_are_happy.htm

KNOTS: All Endings Are Happy: http://www.ligotti.net/showthread.php?p=15898

A Cthulhu Mythos Story: http://weirdmonger.mindsay.com/a_cthulhu_mythos_story.mws

GLIMPSE: http://weirdmonger.blogspot.com/2009/01/glimpse.html

Drowsy With Divinity: http://blogs.myspace.com/index.cfm?fuseaction=blog.view&friendID=80029030&blogID=464312875

And The Exploding Marrow: http://weirdmonger.blog-city.com/and_the_exploding_marrow.htm

Diary of a 21st Century Drunk -

Entry One: http://blogs.myspace.com/index.cfm?fuseaction=blog.view&friendID=136537694&blogID=466078745 

Entry Two: http://weirdmonger.blog-city.com/entry_two.htm

Entry Three: http://weirdmonger.blogspot.com/2009/01/man-oba.html

Entry Four: http://weirdmonger.livejournal.com/109295.html

Entry Five: http://www.ligotti.net/showthread.php?t=2526

Entry Six: http://blogs.myspace.com/index.cfm?fuseaction=blog.view&friendID=145421249&blogID=467220266

Entry Seven: http://weirdmonger.mindsay.com/the_knot_of_knots.mws

Entry Eight: http://simplon.blogspirit.com/archive/2009/01/30/on-the-poe.html

Ligottus: http://weirdmonger.blog-city.com/ligottum.htm

Derivatives: http://weirdmonger.blogspot.com/2009/02/derivatives.html

The Fubbcuckle: http://weirdmonger.blog-city.com/name_for_the_credit_crunch.htm

Yesterday Was A Funny Day: http://weirdmonger.blog-city.com/yesterday_was_a_funny_day.htm

The Stumbling Fear: http://shocklinesforum.yuku.com/sreply/98667/t/Credit-Crunch-recession-or-depression-.html

Build A Character - http://www.ligotti.net/showthread.php?t=2615

The Orchard - http://www.ligotti.net/showpost.php?p=17395&postcount=1

Demolish A Character: http://www.ligotti.net/showpost.php?p=17426&postcount=3

5 Apr: The Art Gallery: http://weirdmonger.blogspot.com/2009/04/art-gallery.html

9 Apr: Naan Bread & Slippers: http://weirdmonger.livejournal.com/109682.html

12 Apr: Cern Zoo: http://weirdmonger.mindsay.com/?entry=345388

17 Apr: The Drains Are Blocked: http://weirdmonger.blogdrive.com/archive/299.html

2 May: Celliano: http://www.ligotti.net/showthread.php?t=2878

15 May: A Handbag: http://weirdmonger.blogspot.com/2009/05/handbag.html

http://weirdmonger.livejournal.com/110014.html 'Tomorrow and tomorrow and tomorrow" by the Clacton Writer's Group (14.5.09)

 

24 May:  Éclaircissement (a poem): http://www.ligotti.net/showpost.php?p=21796&postcount=319

19 Jun: Last Song: http://weirdmonger.livejournal.com/110864.html

19 Jun: The End of the Pier: http://weirdmonger.blog-city.com/the_end_of_the_pier.htm

21 Jun: Taught by Masters: http://weirdmonger.blogspot.com/2009/06/taught-by-masters.html

29 Jun: Made From Passion: http://weirdmonger.mindsay.com/made_from_passion.mws

11 Aug: Tea and Biscuits:

http://weirdmonger.livejournal.com/114066.html

16 Aug: A Candle Dream

http://weirdmonger.blog-city.com/a_candle_dream.htm

17 Aug: The Art of Caring for Candle-Dreeamers

http://weirdmonger.blog-city.com/the_art_of_caring_for_candledreamers.htm

10 Sep: Rods & Mockers

http://weirdmonger.blog-city.com/rods__mockers.htm

15 Sep: Two Old Gents

http://weirdmonger.blog-city.com/two_old_gents.htm

25 Sep: Another Two Old Gents

http://weirdmonger.blogspot.com/2009/09/another-two-old-gents.html#links

26 Sep: Yet Another pair Of Old Gents

http://weirdmonger.mindsay.com/yet_another_pair_of_old_gents.mws

8 Oct: The Two Old Gents Have Flights Of Fancy http://weirdmonger.blogspot.com/2009/10/two-old-gents-have-flights-of-fancy.html

11 Oct: Pirate

http://weirdmonger.blogspot.com/2009/10/pirate.html


Posted by augusthog at 9:33 AM EDT
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Tuesday, 18 August 2009
Black Static 12 (pt 3)

Charles - Steve Rasnic Tem

A marked parallel with the type of relationship in ‘My Brother’s Keeper’, but there it was a sibling one, here a mother / son one. A Pinteresque setting, significantly in the context without perceived pauses.  The abode is evocatively seedy and disowned, but disowned by whom?  Not a whodunnit, as such, but more who’s the leaseholder?  I’m sure the headlease author once thought he knew.  But the beauty of this truly haunting story is that the reader at least senses that there is nobody at all wielding the levers of collusion-with-some-reality. A wonderful emptiness where once there had been at least one person to imagine another person. As if the ‘hanging-rocks’ here are not caves or cromlechs, or sunning-places, but dark corners where even death itself cannot subsist.  One wonders if flights of stairs in these places create acts of ascent and descent that transform time itself on each occasion they are undertaken with only the Proustian selves of the same eventually depleting person being able to pass each other. Like all well-anthologised Horror fiction, each story subsists separately as well as communally, each of them thus strangely empowering a negativity or tabula-rasa that becomes its unique strength. (18 August 09)

 

Unearthed - Kim Lakin-Smith 

I seem to have read these stories more quickly than I originally indicated above. This seems to be as if time is erasable in hindsight, a concept that seems to be working towards this story: this rite of retribution and paralleling events: almost a Jamie Bulger type re-enactment, involving skinning ... and the caves or inferred cromlechs of Nottingham, some of which form the beer cellar of a theme pub where our protagonist works.  It is as if we are looking through the other end of the telescope and seeing the fate of vanished or imaginary ones i.e. the result of  ‘absorption’ by the ‘hanging-rocks’ prefigured earlier in this clutch of stories.  Can I get into your skin? - a question posed by this story: a real ‘imaginary friend’ fleshing itself out from its position as ghost ... re-tracing the life/death symbiosis represented, in particular, by ‘My Brother’s Keeper’ and ‘Charles’.  The tanners here as ‘flatrock sunners’?  Flayrock skinners? The men who work at Brysons?  Unstuffing beasts with blood?  Feeding families by removing those they would otherwise need to feed - in accordance with Swift’s ‘Modest Proposal’?  

In many ways, this story is a coda or bonus track, a run-of-the-mill tale of young people in a Horror film escapade.  This is the one story that does not stand up on its own, I feel, but benefits from the company it keeps.  The final unravelling of the marvellous fiction-self that this clutch of stories represents was with ‘Charles’ – and now this last story is, at best, a cleansing of the palate or relinquishment of the gestalt’s lease.  Not really my style of story, so I may be diminishing it by calling it a coda or bonus track. (18 August 09 - two hours later)

.

 NB: There is also much else of value to the Horror reader in ‘Black Static’ in addition to its fiction: - www.ttapress.com

Posted by augusthog at 10:56 AM EDT
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Monday, 17 August 2009
Black Static 12 - (pt 2)

Flatrock Sunners - Sarah Totton

This story – let there be no mistake – stands memorably on its own as a rite of passage of a boy’s growing up among a ‘mythology’ of not only real ‘imaginary friends’ but also real “imaginary enemies”, of unknown authorship (the protagonist’s or some other force?), yet presumably a mythology facilitated by his father who was in turn created by the author whose name is appended to the story.

A story’s standing on its own can be changed or enhanced or downgraded (or simply sent along fault-lines it never intended) by the context in which one reads it.  Here, for me, it is indeed enhanced.  But it doesn’t need enhancing. It just is.  But any potential enhancement, even if not strictly required for creating this as a wonderful story in itself (which it undeniably is), can never be unwelcome.  Here we have echoes of the ratcheting in time from ‘My Brother’s Keeper’ (here a clock not a watch), the adult conspiracies as seen by the young protagonist, the figures on the shoreline that here become even more pliable as physical structures, the threats of the real ‘imaginary enemies’.  It also has the Peter Pan type of timelessness.  And a sense of the utterly sad creatures from the end of ‘Bryson Feeds Families’.  Feeds Families being a key phrase to keep in mind when proceeding further, perhaps. We shall see.  In any event, I love the concept of its flatrock sunners, its petting zoo, and all the filmic pliability of Totton’s story.  It needs nothing else but itself. (17 August 09 - another 5 hours later)

 

Stone Whispers - Tim Casson

I wish my wife and I had found this solitary island by mistake instead of Sark when we were on holiday there many years ago. The story’s wonderful ‘genius loci’ is strangely combined with its opposite: an explicit dislocation. A reclusive (sexless?) couple, George unpredictable and gauche, Celia a poet, are ostensibly ‘invaded’ by some sensual hooray-henries in a boat which they can hardly steer.  Milk cows, if not the beef ones from ‘Bryson Feeds Families’. Plus a time paradox as if from the blend of the previous stories, represented by a slowing and quickening gramophone and story-telling scene narrating millennia without account of any inactive periods. A ‘Picnic at Hanging Rock’ scenario (that also had a time paradox and cromlechs (or caves of sorts), I recall) where I can imagine George and Celia being ‘flatrock sunners’ basking before vanishing into the stone whispers of Celia’s own poem. Or have they vanished into this very story, as if into its word cromlechs, where their only family issue will be those who once were made by dead bones?  Only by reading it will you be able to unlock what I say. Not a spoiler, but its opposite. (17 August 09 - another 3


Posted by augusthog at 4:51 PM EDT
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I’m starting another of my real-time reviews. This time it is of the fiction stories in TTA Press's ‘BLACK STATIC’ - Issue 12 (August/September 2009). I shall attempt to draw out all the fiction's leitmotifs and mould them into a gestalt.

This review will be done slowly, savouringly, in real time, so please do not look back here more than once every few days for additions. 

All my real-time reviews are linked from here: http://weirdmonger.blog-city.com/recent_reviews_of_books_by_dfl.htm.

 

My Brother's Keeper - Nina Allan

My standard introduction to my real-time reviews shown above seemed even more appropriate once I started reading this haunting story of fluid existence passing through a fixed perspective together with the steady fade-in and fade-out of people in one’s life, not only because real-time is treated here with TCP ointment (Time Conflux Parentage (my inference) any others?) but also a telling reference to Wagner’s Ring Cycle – a work that probably invented leitmotifs in music.  This story has childhood angsts blending brilliantly with other serendipities and synchronised shards of random truth and fiction.  Also related to a Ligottian figure (named Ferenc here) and to childhood’s ‘imaginary friends’ made real.  And adult conspiracies too grown-up to fathom. Dark family secrets. And Elizabeth-Bowenesque tea-time sea-side set pieces that I think of as Nineteen Fifties but subject to a modern timelessness invoked by the protagonist’s prized gift of a watch.  A well-jewelled piece. A nice movement. (17 August 09)

 

Bryson Feeds Families - T.F. Davenport

An ostensibly didactic prose work, designed from six discrete responses to interview questions, responses from people involved in or affected by the meat trade, all six in juxtaposition, telling a story culminating in a physically and emotionally gut-wrenching finale.  But not, thankfully, didactic, in the end, for me. More, I feel, a symphony in six movements: adult conspiracies regarding selfishness and cruelty and blinkered existence. The animals are not animals, but tantamount to those ‘imaginary friends’ in a childhood Rupert book, which makes their fate even more gut-wrenching.  Didacticism through the back door, skilfully done. But that's only one interpretation.  Only one response to the question the whole piece asks.  (17 August 09 - two hours later)


Posted by augusthog at 10:25 AM EDT
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Sunday, 21 June 2009
Taught by Masters
They ended up not wanting to have names. A group of people who ripped off their unseen labels one by one. There needed to be an example set, however. Nobody would unname themselves without a lead to follow. A First Mover. The pre-emptive Clockmaker. If this were a story, the author would start with the example-setting character’s name – followed by a narrative of his rite-of-passage from name to namelessness. A tale of bravery and hardship, of a dimmer-switch controlling the light of identity, of those who failed to follow and remained named, of those who did follow and became unnamed. Yet to name the leading character as he was once named would be to jam the dimmer-switch by wedging in what it was trying to dim. The others who remained named would gain prominence by having real characters’ names in the story while the rest floundered about unidentified – not only confusing the pecking-orders within the plot but the plot itself. To call them by false names or even by letters like A, B, C would, no doubt, cloud the issue even further. Meanwhile, it’s good for any story’s author to relax and concentrate on the plot’s landscape, its spirit of place, before worrying about the entrance of characters,

The public park in Colchester, with Norman Castle, flower-neatened gardens, an empty bandstand, all eventually leading down grassy slopes towards a small boating-lake. Nobody has hired a boat today. It must be one of those times when everyone is asleep at home. The Longest Day of the year. Light at Night like the Land of the Midnight Sun. Even here in England’s Essex. The dimmer-switch of the Sun turned right up.

Without people, there can be no story to tell. But now, at first dimly seen, are tall dark shadows wandering around the Castle. They are the nameless Masters of Existence trying to form gradually into real people. They have been given no belief in the story-premise that all the real people are at home sleeping. Yet the Masters, so-called, remain only partly formed into what they had hoped to become since the story had given them no names other than as fictionalised Masters of Existence, no names on which to hang their identities. The story refused them any such luxury. So mere shadows (if slightly flesh-corrupted) they remained, ever-circling the Castle like forgotten druids. Masters of Existence who could not even master existence for themselves!

Suddenly, there appeared, on the margins of the boating-lake, the legendary Clockmaker whose clocks had hands but no numbers but, more often, numbers but no hands, because, with the former, one could at least guess the time they told. A real flesh-and-blood person. Taught by Masters, but lacking their ambition of existence, the Clockmaker actually succeeded in becoming what they had desired but failed to be. The Clockmaker knew that any ambition destroys the goal of that same ambition.

And now is time for waking. We are here, stretching, fully-formed, truly nameless, stirred by pre-alarmed timepieces within our minds but pure of heart and unconstrained by the deadlines of finding identities to wrap ourselves in. Owning identities simply because we didn’t want identities, the only pre-condition for identity being not to have one.

And the story can at last begin.

Posted by augusthog at 7:35 AM EDT
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